A new original instrumental piece by David Addis (guitar). “I originally wrote this track to be a guitar solo for live gigs. You’ll definitely notice some Van Halen in there, some Satch influences on the legato runs, and the final part is based on a tapping pattern shown to Michael and me in secondary school by our favourite technology teacher! I’m glad the band was up for it and John’s keyboards give the mid-section a bit of sizzle.”
BBT are standard bearers for modern prog, with a sound that evokes the spirit of those legendary 70s bands whilst managing to also be thoroughly contemporary. It's astonishing that over 30 minutes of music of this quality, with such high production values, is being made available for free - and their full albums are also very reasonably priced... Eleventh Earl of Blah
This is one of the best interpretations I've heard of Genesis music, Pete would have made an excellent replacement vocalist for the band itself, he has a lovely feel for the songs, and a perfect voice for the material Colman Jones
Tim Arnold's latest album of lushly detailed art-pop explores the insidious ways tech surveillance has become a part of our lives. Bandcamp New & Notable May 9, 2023
A career-spanning live album from the European experimental rock band, featuring King Crimson's Gavin Harrison on drums. Bandcamp New & Notable Oct 27, 2021
An amazing reinterpretations of old Genesis classics. Even "Invisible touch", in my opinion one of the worst songs by Genesis, in this album is a little gem. You can almost imagine Steve Hackett on classical guitar. mario1984